Publications and Outputs

Publications:

 

  • Forthcoming: ‘Documentary and Interactivity team up for new contemporary collective (and individual) festival experiences’, in Aida Vallejo Vallejo (ed.), Documentary film festivals (London and New York: Palgrave Macmillan, November 2019).

 

  • Odorico, S. and Judith Aston. ‘The Poetics and Politics of Polyphony: Towards a Research Method for Interactive Documentary’. Alphaville: Journal of Film and Screen Media (Issue 15, 2018). ISSN: 2009-4078.

 

  • Odorico, S. and Judith Aston. ‘I-Docs as Intervention: The Poetics and Politics of Polyphony’ (editorial). Alphaville: Journal of Film and Screen Media (Issue 15, 2018). ISSN: 2009-4078.

 

  • Odorico, S., Judith Aston and Sharon Daniel. ‘Polyphony in Practice: An Interview with Sharon Daniel’. Alphaville: Journal of Film and Screen Media (Issue 15, 2018). ISSN: 2009-4078.

 

  • Odorico, S., Judith Aston and Florian Thalhofer. ‘Enacting Polyphony: An Interview with Florian Thalhofer’. Alphaville: Journal of Film and Screen Media (Issue 15, 2018). ISSN: 2009-4078.

 

  • Collaborative Documentary / Transmedia Factual Storytelling. In Media Res – Mediacommons (online resource, November 2016)

http://mediacommons.futureofthebook.org/imr/2016/11/10/collaborative-documentary-transmedia-factual-storytelling

 

  • ‘Web-based documentary film between discourse, technology and community building’. ZeMKI 2015 Research Report (July 2016), pp. 38-41.

 

  • ‘Between Interactivity, Reality and Participation: The Interactive Documentary Form’. MEI – Mediation and Information – Journal (n. 39 – 2015), pp. 213-227. ISSN: 1252-0993.

 

Conferences attended:

  • ‘i-Docs: Complexity and Space’, ECREA 2018, Lugano, 31 October – 3 November 2018.

 

  • ‘VR Documentaries: Crossing Borders’, 23rd International Bremen Film Conference, Bremen, 25-28 April 2018.

 

  • ‘Thinking through Complexity’, Keynote speaker, University of Bayreuth, 6-7 April 2018.

 

  • ‘I-docs and Polyphony’, I-docs 2018, 21-23 of March, Bristol.

 

  • ‘Interactive Documentary Aesthetics: a reflection on the Italian Landscape’, Keynote Speaker. The Italian Documentary and its Historical and Contemporary Models, University of Milan, 19-20 October 2017.

 

  • ‘Interactive Documentary as Research Method – Workshop’, University of Bremen, 3 May 2017.

 

  • ‘Interdisciplinarity as research method through the use of interactive factual platforms’, Codes and Modes, Hunter College, New York, US, 16-18 March 2017.

 

  • ‘The Aesthetic value of factual transmediality and mobility (and how to use it)’. Keynote speaker. Mina Symposium 2016, Melbourne, Australia, 30 November – 2 December 2016.

 

  • Exploring Interactive Documentary Aesthetics: ‘Punk’ as Case Study’, Visible Evidence XXIII, Montana State University, Bozeman, US, 11-14 August 2016.

 

  • ‘Interactive Documentary Aesthetics’, Time Doc, University of Navarra, Pamplona, Spain, 20-22 June 2016.

 

  • ‘Reinventing the Festival Space: The Challenges of Interactive Documentary Exhibition’, i-Docs 2016 Symposium, Bristol, 2-4 March 2016.

 

  • ‘The interactive documentary form: between aesthetics and complexity’, NECS 2015 – Łódź (Poland) 18-20 June 2015.

 

  • ‘Contemporary Non-fiction Forms: The Interactive Documentary between Memories and Transmedia Storytelling’, TimeDoc, University of Navarra, Pamplona, Spain, 23-24 June 2014.

 

Relevant publications in the field:

Book